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The Art of Making Magazines

On Being an Editor and Other Views from the Industry

ebook
1 of 1 copy available
1 of 1 copy available

In this entertaining anthology, editors, writers, art directors, and publishers from such magazines as Vanity Fair, The New Yorker, The New Republic, Elle, and Harper's draw on their varied, colorful experiences to explore a range of issues concerning their profession. Combining anecdotes with expert analysis, these leading industry insiders speak on writing and editing articles, developing great talent, effectively incorporating art and design, and the critical relationship between advertising dollars and content. They emphasize the importance of fact checking and copyediting; share insight into managing the interests (and potential conflicts) of various departments; explain how to parlay an entry-level position into a masthead title; and weigh the increasing influence of business interests on editorial decisions. In addition to providing a rare, behind-the-scenes look at the making of successful and influential magazines, these contributors address the future of magazines in a digital environment and the ongoing importance of magazine journalism. Full of intimate reflections and surprising revelations, The Art of Making Magazines is both a how-to and a how-to-be guide for editors, journalists, students, and anyone hoping for a rare peek between the lines of their favorite magazines. The chapters are based on talks delivered as part of the George Delacorte Lecture Series at the Columbia School of Journalism.
Essays include: "Talking About Writing for Magazines (Which One Shouldn't Do)" by John Gregory Dunne; "Magazine Editing Then and Now" by Ruth Reichl; "How to Become the Editor in Chief of Your Favorite Women's Magazine" by Roberta Myers; "Editing a Thought-Leader Magazine" by Michael Kelly; "Fact-Checking at The New Yorker" by Peter Canby; "A Magazine Needs Copyeditors Because...." by Barbara Walraff; "How to Talk to the Art Director" by Chris Dixon; "Three Weddings and a Funeral" by Tina Brown; "The Simpler the Idea, the Better" by Peter W. Kaplan; "The Publisher's Role: Crusading Defender of the First Amendment or Advertising Salesman?" by John R. MacArthur; "Editing Books Versus Editing Magazines" by Robert Gottlieb; and "The Reader Is King" by Felix Dennis

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  • Reviews

    • Publisher's Weekly

      June 4, 2012
      Bold, brash, and on target on the compelling issues of the magazine industry in a digital age, this slight collection of observations by editors and scribes, delivered as part of the recent Delacorte lecture series at Columbia University’s School of Journalism, is the creation of Navasky, the former acclaimed Nation editor, and Cornog, the dean of the School of Communication at Hofstra University. Navasky and Cornog wisely chose a variety of distinctive voices in the business, including John Gregory Dunne, Tina Brown, Ruth Reichl, Michael Kelly, John R. MacArthur, and Robert Gottlieb. Some of the topics presented by the veterans are cultivating author talent, selecting timely topics, keeping art and design on the cutting edge, as well as the conflict between business interests and editorial designs, and the future of magazines in the computer age. Pay attention to critic and essayist Dunne’s lively take on trendsetting writing styles, Reichl’s candid chronicle of her struggles during her editorial reign at Gourmet magazine, Kelly’s savvy comments about choosing the identity of a magazine, and Harper’s publisher MacArthur’s tough tirade on the clash between ad revenue and editorial content. This is a book not to be missed by working editors and journalists, print newbies, and magazine junkies.

    • Library Journal

      August 1, 2012

      The sheer complexity of what it takes to create an issue of a magazine is evidenced by the scope and variety of these lectures compiled by Navasky (George T. Delacorte Professor in Magazine Journalism, Columbia Journalism Sch.; A Matter of Opinion) and Cornog (dean, Sch. of Communication, Hofstra Univ.; The Power and the Story: How the Crafted Presidential Narrative Has Determined Political Success from George Washington to George W. Bush). These talks, given to Columbia University journalism graduate students over the past decade, range from overview pieces on the purpose of magazines to detailed descriptions of the roles of various magazine staffers. Novelist and essayist John Gregory Dunne (d. 2003) opens the collection with an eloquent piece arguing that magazine journalism should explore the "why" of newsworthy events, which he illustrates with anecdotes from his career. Tina Brown shares stories of her successes and failures as an editor. An interview with art director Chris Dixon, formerly of New York magazine and currently of Vanity Fair, illuminates how visuals support magazine texts. VERDICT These 12 essays will appeal to professionals as well as sophisticated readers interested in the nuts and bolts of how magazines are put together. However, some of the pieces seem dated, and too little attention is paid to changing economics and the impact of new formats on the future of magazines.--Judy Solberg, Seattle Univ. Lib.

      Copyright 2012 Library Journal, LLC Used with permission.

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  • English

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