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A Little Bit Wicked

Audiobook (Includes supplementary content)
1 of 1 copy available
1 of 1 copy available
"Life's too short. I'm not." You might know her as a Tony Award-winning Broadway star, who originated the role of Galinda the Good Witch in the smash musical Wicked and won a Tony for 1999's You're a Good Man, Charlie Brown. Or you may recognize her from her starring roles on TV-The West Wing, Pushing Daisies, Sesame Street...oh, and her huge hit sitcom Kristin on NBC. Or her appearance on Pat Robertson's The 700 Club. The 700 Club? Kristin is a wonderful collection of contradictions- but everyone who's ever met her remembers her as the little girl with the big voice. At four foot eleven, Kristin Chenoweth is an immense talent in a petite but powerful package. In this lively, laugh-out-loud audio book, Kristin shares her journey from Oklahoma beauty queen to Broadway leading lady, reflecting on how faith and family have kept her grounded in the dysfunctional rodeo of showbiz. The daughter of an engineer and nurse, Kristin was singing in front of thousands at Baptist conventions by age twelve and winning beauty pageants by age twenty-two. (Well, actually she was second runner-up almost every freaking time. But, hey, she's not bitter.) On her way to a career as a professional opera singer, she stopped in New York to visit a friend and went on a whim to an audition. Through a combination of talent, hard work, and (she's quick to add) the grace of God, Kristin took Broadway by storm. But of course, into every storm, the occasional drizzle of disaster must fall.
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  • Reviews

    • Publisher's Weekly

      January 12, 2009
      Currently seen as waitress Olive Snook in ABC's Pushing Daisies
      , the Tony Award–winning singer-actress Chenoweth looks back at her multifaceted career, which has encompassed recordings (As I Am
      ), films (Four Christmases
      ), television (The West Wing
      ), Broadway (Wicked
      ), solo concerts, animation (Tinker Bell
      ), opera and Opryland. Beginning with the intriguing speculation that her unknown birth mother could be watching her career rise, she recalls her Oklahoma childhood and vocal training when she learned “he music didn't come from notes and lyrics; it came from life and mileage.” Personal revelations, such as her experiences with Ménière's disease, are balanced with bubbling backstage anecdotes. A chapter about her on-and-off relationship with writer-producer Aaron Sorkin includes a section written by Sorkin himself. With digressions, detours and words like “whack-a-noodle,” the book is busy with show-biz flip quips and writing reminiscent of Julia Phillips's You'll Never Eat Lunch in This Town Again
      (minus the drugs and invective). Chenoweth has a frenzied, free-associative style; it's as if she's speaking breathlessly into a tape recorder between sitcom scenes. To use her phrase, this book is “a hoot and a holler”—a fast-paced frolic that her fans will appreciate.

Formats

  • OverDrive Listen audiobook

Languages

  • English

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