May 2, 2011
McLain's novel covers the marriage of Hadley Richardson and Ernest Hemingway, from their romantic, early years in Parisâwhere they slow danced to the sounds of the accordion drifting up from the apartment below, lunched with Gertrude Stein, and had cocktails with the Fitzgeraldsâto their marriage growing more complicated as Ernest's literary career takes off. Carrington Macduffie's voice for Ernest is harsh and guttural, which makes him sound less charismatic and makes it difficult for the listener to understand why Hadley puts up with him as long as she does. Macduffie's voice for Hadley is stilted and timid at firstâHadley is perpetually fumbling for the right word, but she gradually sounds increasingly self-assured. Macduffie's ability to communicate Hadley's transformation vocally makes for moving listening. A Ballantine hardcover.
December 6, 2010
McLain (A Ticket to Ride) offers a vivid addition to the complex-woman-behind-the-legendary-man genre, bringing
Ernest Hemingway and his first wife, Hadley Richardson, to life. Meeting through mutual friends in Chicago, Hadley is intrigued by the brash "beautiful boy," and after a brief courtship and small wedding, Hadley and Ernest take off for Paris, "the place to be," according to Sherwood Anderson. McLain ably portrays the cultural icons of the 1920s—Gertrude Stein and Alice B. Toklas, Zelda and Scott Fitzgerald, and Ezra and Dorothy Pound—and the impact they have on the then unknown Hemingway, casting Hadley as a rock of Gibraltar for a troubled man whose brilliance and talent were charged and compromised by his astounding capacity for alcohol and women. Hadley, meanwhile, makes a convincing transformation from an overprotected child to a game and brave young woman who puts up with impoverished living conditions and shattering loneliness to prop up her husband's career. The historical figure cameos sometimes come across as gimmicky, but the heart of the story—Ernest and Hadley's relationship—gets an honest reckoning, most notably the waves of elation and despair that pull them apart.