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Goering's Man in Paris

The Story of a Nazi Art Plunderer and His World

ebook
1 of 1 copy available
1 of 1 copy available

A charged biography of a notorious Nazi art plunderer and his career in the postwar art world†
"[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."—Nina Siegal, New York Times

"Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world's most prolific art looters."—Publishers Weekly
Bruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler's art looting agency in Paris, he went on to help supervise the systematic theft and distribution of more than thirty thousand artworks, taken largely from French Jews, and to assist Göring in amassing an enormous private art collection. By the 1950s Lohse was officially denazified but was back in the art dealing world, offering masterpieces of dubious origin to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home. Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse's life, offering a critical examination of the postwar art world.

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    • Publisher's Weekly

      November 16, 2020
      Petropoulos (Artists Under Hitler), a professor of European History at Claremont McKenna College, delivers a nuanced and comprehensive biography of Nazi art plunderer Bruno Lohse (1911–2007). As deputy director of the Paris branch of the Nazi task force created to appropriate European cultural objects for Germany, Lohse helped Reichsmarschall Hermann Göring “commandeer” more than 700 artworks. Petropoulos draws on interviews with Lohse and eyewitness testimony to document how the Nazis stole an estimated one-third of the privately owned art in France. After the war, Lohse escaped justice and even continued to sell pieces “with complicated wartime pasts,” according to Petropoulos. While acknowledging that Lohse lied to him repeatedly and worked hard to shroud his professional life in secrecy, Petropoulos unearths intriguing details about Lohse’s family life (his musician father was an anti-Nazi), university education, relationship with Göring, and rumored involvement in the murders of Jews during the war. What emerges is a well-rounded portrait of a complex figure: “the art historian who had no confidence in his own eye; the brutal Nazi operative who could also laugh and who had a warm manner about him.” Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world’s most prolific art looters.

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  • English

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