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1 of 1 copy available
1 of 1 copy available
LAPD lieutenant detective Decker and his wife, Rina, have willingly welcomed fifteen-year-old Gabriel Whitman, the son of a troubled former friend, into their home. While the enigmatic teen seems to be adapting easily, Decker knows only too well the secrets adolescents keep—witnessed by the tragic suicide of another teen, Gregory Hesse, a student at Bell and Wakefield, one of the city's most exclusive prep schools.

Gregory's mother, Wendy, refuses to believe her son shot himself and convinces Decker to look deeper. What he finds disturbs him. The gun used in the tragedy was stolen—evidence that propels him to launch a full investigation. But the case becomes darkly complicated by the suicide of another Bell and Wakefield student—a death that leads them to uncover an especially nasty group of rich and privileged students with a predilection for guns and violence. Before it's over, the case and all its terrifying ramifications will take Decker and his detectives down a dark alley of twisted allegiances and unholy alliances, culminating at a heart-stopping point of no return.
From the Compact Disc edition.
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    • Publisher's Weekly

      December 19, 2011
      A teenage romance dominates bestseller Kellerman’s subpar 20th novel featuring LAPD Lt. Peter Decker and his wife, Rina Lazarus (after 2010’s Hangman). Decker’s search for the truth in the wake of the inexplicable suicide of high school student Gregory Hesse competes with the story of Decker’s latest rescue, 15-year-old Gabe Whitman, a brilliant musical prodigy whose father earns his living as a pimp. Gabe’s hormones run out-of-control after he meets 14-year-old Yasmine Nourmand, a Persian Jew from a very traditional family. The vicissitudes of the budding relationship between Gabe, who lives with the Deckers, and Yasmine hit on pretty much all the usual clichés, and this focus diminishes the impact of the truth behind Gregory’s death. Kellerman’s portrayal of Rina as the Jewish mother of all Jewish mothers may leave some readers wishing the author had cast Rina more as an individual than a type.

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