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Burning Questions

Essays and Occasional Pieces, 2004-2022

ebook
0 of 1 copy available
Wait time: About 4 weeks
0 of 1 copy available
Wait time: About 4 weeks
From cultural icon Margaret Atwood comes a brilliant collection of essays—funny, erudite, endlessly curious, uncannily prescient—which seek answers to Burning Questions such as:
Why do people everywhere, in all cultures, tell stories?
How much of yourself can you give away without evaporating?
How can we live on our planet?
Is it true? And is it fair?
What do zombies have to do with authoritarianism?
In over fifty pieces Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better guide to the many and varied mysteries of our universe.
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    • Publisher's Weekly

      Starred review from March 14, 2022
      Atwood returns to nonfiction (after Moving Targets) with this impressive collection of answers to “some of the burning questions I’ve been asked.” As she writes, “The questions we’ve been faced with so far in the twenty-first century are more than urgent.” “The Futures Market” sees her amusingly parse the popularity of zombies in pop culture (they offer “an escape from a real future we quite rightly fear”), and “Literature and the Environment” addresses the responsibilities writers have regarding climate change: “Unless we can preserve such an environment, your writing and my writing... will become simply irrelevant, as there will be nobody left to read it.” Readers will also appreciate the insight into Atwood’s creative process: “Scientific Romancing” reveals the inspiration she found in Orwell’s 1984, and in “Reflections on The Handmaid’s Tale,” she shares her thoughts about the novel three decades on (“Is prophetic? No. No novel is prophetic except in retrospect”). Despite the oft-serious nature of the collection, there are welcome dashes of levity, as when Atwood describes her encounter with a hard-selling mall clerk who manipulated Atwood’s young daughter into demanding a Cabbage Patch doll. (It wound up “living in squalor at the back of the closet”). The result is a superior assembly of intellectual excursions.

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  • English

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