Passengers, Sailors, Shipbuilders, Aristocrats, and the Worlds They Came From
December 12, 2011
An entire class structure, and its ethnic and gender stereotyping, goes down with the ship in this richly textured study of the 1912 Titanic catastrophe. Davenport-Hines (Proust at the Majestic) focuses on the pre-iceberg ship as a microcosm of Edwardian society: first class the redoubt of plutocrats, brittle manners and social snubbing, diamonds and haute couture; second class a genteel haven for school-teachers, ministers, and bounders on the make; third class awash in hopeful immigrant strivers; the proletarian crew toiling beside hellish coal furnaces or kowtowing to imperious state-room divas. It’s a world of finely graded, contemptuous distinctions—signs on the ship prohibited the mingling of classes—which the author embroiders with vivid biographical sketches of passengers from the squirrely tycoon John Jacob Astor to the forgotten denizens of steerage. Then, in the author’s well-paced, judicious account of the sinking, the reigning verities of upper-crust, Anglo-Saxon competence and chivalry capsize in a flounder of well-intentioned bungling. (Men were sternly turned away from lifeboats that were then launched half-empty because many women were too timid—or brave—to board them.) Davenport-Hines gives us a meticulous, engrossing recreation of the disaster and the social reality that shaped it. Photos.